Cellist Bonnie Hampton leads an active music life as a chamber musician, soloist, and teacher.  A founding member of the Naumburg Award-winning Francesco Trio, she has also performed as part of the Hampton-Schwartz Duo with her late husband, pianist Nathan Schwartz.  Her solo debut with the San Francisco Symphony Orchestra was followed by appearances with orchestras nationally performing the entire standard repertoire and many of the 20th century cello concertos.

She has been involved in performances of new music since the beginning of her career.  Her contemporary recordings include CD’s representing American works, often commissioned and premiered by the Trio and Duo.  Ms. Hampton’s chamber music guest appearances have included performances with the Juilliard, Guarneri, Cleveland, Mendelssohn, Alexander, Budapest, and Griller String Quartets, and concert tours have take her to Europe and Asia.  She has performed in many of the major halls in the United States, including Davies Hall and the Opera House in San Francisco, Alice Tully Hall, the Library of Congress, the Kennedy Center, Jordan Hall, and many chamber music venues throughout the world.

A student of Pablo Casals, she participated for many years in the Casals and Marlboro festivals.  She has performed at many festivals including Chamber Music West, Seattle, Ravinia, Santa Fe, Kneisel Hall, and the Yellow Barn Chamber Music Festival.  Her early studies were with Margaret Rowell, the Griller String Quartet, and Zara Nelsova.

Her Francesco Trio Residencies have included Grinnell College, Stanford University, and the San Francisco Conservatory of Music where she taught for thirty years.  Ms. Hampton was awarded an “Excellence in Teaching Award” from SFCM as well as the “Eva Janzer Award” from Indiana University.  Ms. Hampton has also taught at Mills College, and the University of California, Berkeley.  She is a past president of Chamber Music America.  In September 2003 she joined the faculty at the Juilliard School.

“…artistic responsibility of a rare inspiring kind.” San Francisco Chronicle

“…a highly expressive cellist.”   New York Times